IFDA NY chapter member Kate Kelly Smith (Senior Vice President Group Publishing Director of Hearst Design Group) talks at an exciting luncheon to honor new designers showing talent.
One of Hearst's important shelter magazines, House Beautiful honored designers today who have been featured this year in their famous Next Wave column. The magazine has a long history of celebrating new designers, and this event is a testament to Hearst's commitment to supporting the industry. This year, they ramped it up a notch by inviting a year's worth of featured designers to their New York City headquarters for a celebratory lunch in the gorgeous Hearst Tower dining room with both Kate Kelly Smith (SVP, Group Publishing Director of Hearst Design Group) and Newell Turner (Editorial Director, Hearst Design Group) presiding over the festivities. A handful of us design bloggers were also invited and introduced, asked to stand and individually acknowledged to the crowd for our work covering the design industry --
Thank You Kate Kelly Smith!
Kate Kelly with Janice Langrall, Scalamandre
Newell Turner showed us snapshots from the Next Wave column dating back to the 1980s, profiling many designers who are now household names.
this year's profiled designers with Kate Kelly Smith & Newell Turner
this year's profiled designers with Kate Kelly Smith & Newell Turner
Additionally, for more detailed information on Kate Kelly Smith, please read below the profile and interview board member Rose Gilbert wrote and submitted to this past IFDA NY newsletter.
KATE KELLY SMITH
written by Rose Gilbert
From where she sits – high above 57th Street in
the Gold and Platinum LEEDS Hearst
Tower headquarters designed by Baron Norman Foster – Kate Kelly Smith has a
clear picture of IFDA’s role in her career and of the future of design
magazines.
“I know IFDA has helped my career,” she volunteers. “I joined when I was still in my first
selling job, at hfd.”
That was in the early l980s. Design publications existed on
paper only, IFDA was becoming a force in the design industry, and Kelly was
about to join the first of a long series of New York Chapter committees,
including the Big Apple Award and Circle of Excellence (which she herself would win some 33 years later, in 2012).
“I was invited to be on a committee, which immediately
opened my eyes to all the networking opportunities IFDA brings,” Kelly
recalled. So she was quick to volunteer
for many different committees and, eventually, to serve on the Chapter Board of
Directors for many years, she said, “Which is how I got to know other people in
the industry.
“Now those people, my peers, are running big jobs in the
industry.” And that makes running her
own very big job easier and more rewarding.
As senior vice president and publishing director of Hearst Design Group
(and chief revenue officer of House Beautiful and Veranda), Kelly oversees the
publishing side of both magazines and Elle Décor.
That puts her on top of what Hearst describes as “a
powerhouse in the shelter category, representing a 60-percent share of its
market and a combined audience of more than eight million.”
Kelly’s behind much of that growth, as the publishing
industry has noticed in a big way: Adweek put her on its “Hot List” in
2011; she made Advertising Age’s magazine “A List” in 2008. That same year, the respected Media
Industry Newsletter cited her among the year’s “21 Most Intriguing
People.”
IFDAers can vouch for that, especially those who took
advantage of her breakfast discussion of “The Media Today and Tomorrow,” held some
44-stories up in the Hearst Tower last June.
Kelly offered members an exclusive look into the publishing world, a
world she has helped shape. Or
reshape: she has been a pioneer in
digital space, developing House
Beautiful’s concept of “live paper” – programs that jump from print and
digital platforms to unique events, like House
Beautiful’s 2012 Kitchen of the Year where digital watermarks allowed
visitors to pin kitchen furnishings directly to Pinterest.
The magazine won that year’s lifestyle award for General
Excellence from the American Society of Magazine Editors (and was twice more
nominated, in 2011 and 2013).
As Kelly points out, “The world of advertising has changed
dramatically over the past 25 years.
Technology has changed everything.
We’ve gone from months to moments.
An editor no longer plans for just the magazine; today, it is magazine
plus digital, mobile, video, and all the social outlets.
“But what remains the same is that this is a people business,” Kelly concludes. “It begins and ends with relationships. And it always will.”
No comments:
Post a Comment